„Body Politics

and Jewellery“





Is contemporary jewellery an artistic reflection of the social conditions in which it is created?

Does it reflect social and environmental issues related to the manual production, sustainability and ethical extraction of precious materials? Or is its material expression identifiable as a critical tool and commentary on political and social problems rather than a symbolic expression of value, status, or capital?


The depth of critical reflections also leads to a fundamental question. Why are we decorating ourselves?

What social impact does it imply? Can jewellery be a medium of social, cultural significance and a reflection of a certain social behavior? The critical examination of the concept of jewellery is based on the non-verbal interaction between the creator, the object, the wearer and the viewer, as well as on the way of consciously placing jewellery on specific parts of the body. Political Body and Jewellery refers to the power of communication or provocation in the context of current political and social conditions expressed and commented on or through wearable objects.


The mission of contemporary jewellery is to reflect and explore issues that are fundamental to contemporary culture, including the change of view of ornamentation and the human body.

What seems to be particularly important is the relationship between jewellery and the current social events in the context of the expression of the personal identity and opinion of the wearer. While wearing jewellery is generally a private gesture, it can be also viewed as a public manifestation commenting on the social, political and cultural problems of the society as a support, protest, non-verbal critical gesture, or generally shared memory.


Jewellery represents a person´s determination to express their attitude towards political events, membership of social groups or subcultures and to speak in a way that no other wearable object can.

The generally shared will to ornament the body with jewellery is compensated by the desire to express some sort of message through it. This gives it the power to become a powerful communication tool in the public space. Even a simple piece of jewellery- a badge, can be serve as an active symbol of identification with an equally minded group of people. It is a political manifestation of social and political solidarity. It relates to our urgent desire to identify ourselves as a sympathizer or an adversary and our impulsive effort to define ourselves against something or someone. These small objects are not merely visual mechanisms for different social schemes, but there are identification objects characterized by their power of symbolic gesture.

Program



Based on the current COVID-19 situation and the actual restrictions regarding travel arrangements as well as on the organization of public events, we decided that the lectures of ŠperkStret 2020 will take place just ONLINE.


Registration for the ŠperkStret 2020 lectures HERE

3/nov/2020 GMT+2


5 pm – 6 pm
Katarína D. F. Siposová (SK)
Every body counts. On the social value of jewellery

6:30 pm – 7:30 pm
Karen Pontoppidan (DK/DE)
Jewellery: A socio-political statement

4/nov/2020 GMT+2


5 pm – 6 pm
Pravu Mazumdar (IN/DE)
How to do things with Jewellery. On the power of objects


5/nov/2020 GMT+2


5 pm – 6 pm
Katja Prins (NL)
Brave New World

6:30 pm – 7:30 pm
Ilaria Ruggiero (IT)
NUDA VITA. The practice of collective and political body

Online lectures moderated by Dana Tomečková will be given in English with simultaneous translation.

Anyone interested in the lectures can participate free of charge after registration in the individual online rooms via a link sent by e-mail.


We are looking forward to seeing you!

If you want to receive more information about the upcoming events and join our mailing list let us know at sperkstret@gmail.com.


Your ŠperkStret team


Lectures



Pravu Mazumdar

How to do things with Jewellery
On the power of objects


Jewellery affects the way the body of the wearer is experienced. But in doing so, it also affects the body of the observer. The form and location of an object on a body affect the senses and transform the movement and behaviour of the observer. In the process we call jewellery, bodies and objects intermingle as constellations of forces.

In my talk I would like to focus on the connection between jewellery and power. That includes the way an object is crafted and worn to create shifts in the bodies, understood as constellations of forces, involved in the jewellery process. To understand such processes, I will apply certain trends in twentieth century philosophy to concrete objects created by contemporary studio jewellery and try to delineate how these unfold their impact on the level of the political materiality of the body.


Pravu Mazumdar

Pravu Mazumdar (India, 1952) is an Indian freelance author, philosopher, writer, translator and lecturer. He studied physics in New Dehli and Germany, obtained a doctorate in philosophy at the University of Stuttgart and currently works mainly in Germany. His interest revolves around art and philosophy and their interpretation. He focuses mainly on French postmodernism and the philosophy of Michel Foucault.

He is devoted to the philosophy of contemporary jewellery, writes about its experimental forms or about its social overlaps, migration and consumerism. His book Gold und Geist: Prolegomena zu einer Philosophie des Schmucks (“Gold and the Mind: Prolegomena towards the Philosophy of Jewellery”), Berlin: Matthes & Seitz focuses on jewellery and discusses above mentioned topics.

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Karen Potoppidan

Jewellery: A socio-political statement


The origins of jewellery went hand in hand with the emergence of the earliest civilizations one hundred thousand years ago. In this context, jewellery was an indication of individual positions within the society and at the same time it represented a marker of a specific group belonging toward other communities.

By wearing jewellery an individual person marks a position within the setting of a social system, also in present times. Jewellery is not about individuality; jewellery is about an individual’s relations to others. Enhancing this thought, makes it easy to identify the strong relation between jewellery and society, and therefore also to recognize the political potential of jewellery.

The lecture shows the usage of jewellery in past and present societies, in order to examine
to which extend jewellery is and always has been political!


Karen Potioppidan

Karen Pontoppidan (Denmark, 1968) is a contemporary jeweller and professor. She currently runs the jewellery studio at the Academy of Fine Arts in Munich and previously worked for several years at the Konstfack University College of Arts, Crafts and Design in Sweden. In her work, she changes attitudes and styles taking into account the connection between the personal and the public. Her jewellery has social and political interconnection.

She graduated from the Berufskolleg für Formgebung, Schmuck und Gerät, Schwäbisch Gmünd in Germany and later undertook further studies in Munich with Prof. Otto Künzli. She lives and works in Germany and Denmark and is an active part of the art jewellery scene – exhibiting, giving lectures and conducting workshops internationally.

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Katarína Defeo Fiúza Siposová

Every body counts
On the social value of jewellery


Jewellery perceived socially and politically while preserving its identity. The lecture approaches performativity of jewellery as a material object and examines the principles and consequences that result from this.

Performativeness opens up the social aspects of jewellery making it possible to get rid of its resentiments and to transform itself into a light-hearted form while still making responsible and socially engaged statement. The lecture is a reflection on jewellery from the other side, from the side of the author and the side of the performativeness, interaction and social engagement of the small object. To stand on the other side means to look for new meanings, links, or wit life situations for better orientation in the world.


Katarína Defeo Fiúza Siposová

Katarína Defeo Fiúza Siposová (Slovakia, 1988) is one of those contemporary artists who approach the methods of postconceptual thinking and intermediate forms from the position of a specific medium, in her case the medium of jewellery. The central theme of her work is a question of performativeness of jewellery, which she examines through the exhibition practices of this specific art medium. She graduated from the Academy of Fine Arts and Design in Bratislava, Metal and Jewellery Department, where in 2019 she finnished her doctoral studies devoted to the Context of Contemporary Jewellery.

In 2017, she completed a 6-month Fulbright Fellowship at the New York State University, New Paltz. She is a member of the organizational team of ŠperkStret, a gallery pedagogue, a jeweller, the holder of the Art Gallery Award, Legnica, Poland and an active promoter of contemporary jewellery.

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Ilaria Ruggiero

NUDA VITA
The practice of collective and political body


The lecture focuses on the presentation of the Nuda Vita project, an experience of artistic production that stages the work of some of the most interesting contemporary jewellery artists. The initiative was held for the first time on the occasion of Munich Jewellery Week 2019 and it explored the value and the role of the public, collective and political body, starting from the expression Nuda Vita, coined by Benjamin and then developed by the philosopher Giorgio Agamben, interpreted here as an impossible condition, unspeakable concept, and artistic action.

Nudity is not conceived as a physical condition, but as a symbolic event of resistance and sensitization. Concretely the project aims to be an artistic movement, an open and continuous platform of reflection and stimulation to give substance to those studies, which see the body and existence as an area of exploration. The goal is to compare the most varied experiences and to broaden social and political awareness. The great wealth of perspectives and themes addressed by the various participating artists, presents jewellery as a means of raising questions relating to major issues of life. It is an act of provocation and resistance, subversion and sensitisation, which focuses upon the body, through the medium of the jewel, as a statement of politics, identity and humanity.


Ilaria Ruggiero

Ilaria Ruggiero (Italy, 1981) is an Italian cultural and project manager, curator and organizer of various projects related to contemporary art. She studied theoretical philosophy, art administration and later on fundraising at the New York University. She is the founder of several platforms focused on contemporary jewellery and its expanded field with the emphasis on the social role of jewellery, such as. A/DORNMENT Curating Contemporary Art Jewelry. She worked at the La Bienalle di Venezia in Italy and for the Guggenheim Museum in New York. She is actively involved in publicizing jewellery, writing for Art Jewellery Forum and other prestigious platforms.

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Katja Prins

Brave New World


Katja Prins will discuss her practice as a jewelry artist, which has evolved over the last 22 years. This lecture will focus in particular on her fascination with the relationship between technology and the human body. Specifically engaged with how technology functions as our support structure, she is both anxious and excited about the simultaneously healing-protective and toxic-destructive properties of technology. This ambivalent fascination provides her with imagery that is reflected through her work.


Katja Prins

Katja Prins (Holland, 1970) is a contemporary jeweller and artist. She graduated from the Gerrit Rietweld Academy in 1997 and has been intensively involved in her own art work ever since. She currently lives and works in Amsterdam. Her artistic practice focuses on creating jewellery and objects for the body, sometimes moving freely from object to installation. She is particularly fascinated by the connection between technology and the human body and their ambivalent relationship, which she subjects to critical examination.

With her objects she comments on today´s world and the role of the outer body in the over-technological world. She exhibits in Europe, the USA, Asia and Russia, holds lectures and conducts workshops internationally for various institutions. In 2009, she summarized her work in the publication “The Uncanny Valley”, and won several prestigious awards for contemporary art and jewellery.

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Accompanying program


Show Me The Face


Jana Machatová a Peter Machata
10. 9. 2020 – 8. 11. 2020
exhibition opening 10.9.2020 at 17:00
introduction of the catalog 25.9. 2020 at 17:00
Pálffyho palác GMB
Panská 19, Bratislava

Facebook Event


Star Dust


Karol Weisslechner
10. 9. 2020 – 8. 11. 2020
exhibition opening 9.9.2020 at 18:00
guided tour 24.9.2020 at 17:00
Galéria Čin Čin
Podjavorinskej 4A, Bratislava

Facebook Event


Like a broken record


Maya H. Nepšinská
29. 9. 2020 – 7. 11. 2020
exhibition opening 29.9.2020 at 18:00
Galéria NOVA
Baštová 2, Bratislava

Facebook Event


Schmuck wander vol.5


International traveling exhibition
22.9. – 4.10. 2020
exhibition opening 22.9. 2020 at 18:00
guided tour 26.9.2020 at 13:30
Galéria X
Zámočnícka 5, Bratislava

Facebook Event


AutoportréMY


Martin Grosman
24.9. – 26.9. 2020
exhibition opening 24.9. 2020 at 18:30
guided tour 26.9.2020 at 11:00
Galéria Cit
Heydukova 15, Bratislava

Facebook Event


Figúra


Ondrej Ďurian
9.9. – 27.9. 2020
exhibition opening 9. 9. 2020 at 17:00
guided tour + extra jewellery presentation 26.9. 2020 at 16:00
Galéria Umelka
Dostojevského rad 2, Bratislava

Facebook Event


OFELIA


Soňa Kabáňová
21.9. – 9.10.2020
exhibition show 26.9. 2020 at 14:30
vPRIESTORe
Klemensova 5, Bratislava


Workshop


Primate invites you to the workshop: **Statement dressing**, even a small protest feels good.

In the context of the current topic “Body Politics”, we have prepared a workshop for you that will focus on the phenomenon of body extension and its energy scope, or how to communicate your thoughts publicly using the clothes you have on the body. There is a “statement T-shirt” phenomenon which means that sharing your opinion, or the opinion of someone else with whom you identify on your T-shirt, is a guaranteed start of a mutual conversation.

We will teach you how easy it is to transfer text, sign or image on a T-shirt using the techniques of linocut and stencil. So bring your thoughts and T-shirts (ideally light in color) on which we will print. This workshop also takes into account the responsible consumption and reuse of things (upcycling), so it is ideal to bring clothes that are laying in your closet and are not used much. This way you can renew and reuse them.

12:00 – 16:00 galéria Umelka
Dostojevského rad 2, Bratislava
duration 4 hours
max. 10 people / price 10 Eur
registration: primatme.mail@gmail.com
facebook primat.me



Contacts



Chief executive – Mária H. Nepšinská, chairman at AURA / +421 902 615 785
Responsive mediator – Katarína D.F. Siposová / +421 908 548 998
Creative coordinator – Slavomíra Ondrušová / +421 944 976 679
PR – Simona Svitková / +421 917 845 841
Conceptual thinker – Pavol Prekop / +421 905 185 066
University delegate – Kristýna Španihelová / +421 097 072 256

Graphic design – Lucia Mlynčeková, Lenka Navrátilová
Photo visual 2020 – Juraj Figura
Photo/Video credits – Juraj Starovecký, Marie Kuklová


Web developer – Viktor Kováč / www.viktorkovac.sk